Adaptation-The Journal of Literature on Screen Studies《改编：银幕研究文学杂志》（一年3期）. Adaptation is an international, peer-reviewed journal, offering academic articles, film and book reviews (including both book to screen adaptations and screen to book adaptations), popular and ‘classic’ adaptations, theatre and novel screen adaptations, television, animation, soundtracks, production issues and genres in literature on screen.
L’Atalante. Revista de estudios cinematográficos《亚特兰大：电影研究杂志》（半年刊）. L’Atalante. Revista de estudios cinematográficos is a biannual non-profit publication published in print form by the Associació Cinefòrum L’Atalante and distributed by the Servei de Publicacions de la Universitat de València (SPUV) to bookshops in Spain and various other Spanish-speaking countries (Argentina, Colombia, Peru, Puerto Rico, Mexico, etc.).
CINEASTE《电影制作者》（季刊）. Cineaste (subtitled “America’s Leading Magazine on the Art and Politics of the Cinema”) is a quarterly publication, founded in 1967, which offers a social, political, and aesthetic perspective on the cinema. We are interested in all areas of the cinema, including Hollywood films (old and new), American independent cinema, quality European films, and the cinema of developing nations. Familiarity with our editorial policies and publishing history is a must for authors. The most frequent reason we reject material is that the potential contributor has sent material, which, because of its length, style or subject matter, is clearly inappropriate for either our magazine or our Website (where we post some contributions we are unable to publish in the magazine as “Web Exclusives”).
CINEMAS D AMERIQUE LATINE《拉丁美洲电影》（年刊）. Cinémas d’Amérique latine offre des articles critiques sur les cinémas latino-américains, fait le bilan de la production actuelle par pays et s’interroge sur les moyens de développer la diffusion, la distribution et les coproductions Europe-Amérique latine. La revue, unique en Europe, publie des inédits, présente des dossiers thématiques, donne la pro-grammation des Rencontres de cinémas de Toulouse et informe sur les parutions récentes. Les contributions, pour l’essentiel, sont dues à des collaborateurs latino-américains (historiens, critiques et professionnels du cinéma). Articles écrits en français, en espagnol ou en portugais, avec traductions en français ou en espagnol selon la langue de rédaction originale. Publiée avec le concours du CNL.
Camera Obscura《暗箱》（一年3期）. Camera Obscura provides a forum for scholarship and debate on feminism, culture, and media studies. The journal encourages contributions in areas such as the conjunctions of gender, race, class, and sexuality with audiovisual culture; new histories and theories of film, television, video, and digital media; and politically engaged approaches to a range of media practices.
Canadian Journal of Film Studies/Revue Canadienne detudes cinématographiques《加拿大电影研究杂志》（半年刊）. The Canadian Journal of Film Studies / Revue canadienne détudes cinématographiques is Canadas leading academic peer-reviewed film journal. CJFS / RCÉC has published bi-annually since its launch in 1990.
Historical Journal of Film, Radio and Television《电影、广播和电视历史杂志》（季刊）. The Historical Journal of Film, Radio and Television is an international and interdisciplinary journal concerned with the history of the audio-visual mass media from c.1900 to the present. It explores the institutional and ideological contexts of film, radio and television, analyses the evidence produced by the mass media for historians and social scientists, and considers the impact of mass communications on political, social and cultural history.
Animation-an interdisciplinary journal《动画-跨学科杂志》（一年3期）. animation: an interdisciplinary journal provides the first cohesive international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice.
Film Criticism《电影批评》（半年刊）. Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars.